Blue Story always feels like it's in motion, even when the characters are just spitting slang back and forth. Rapman keeps his movie pulsing with a heavy degree of slang, some of which may be familiar to people in the area of Peckham but is so unique for American audiences that the film is even. Blue Story is a tragic tale of a friendship between Timmy and Marco, two young boys from opposing postcodes.

While theaters aren't part of the picture now, either fighting or canceled screenings would seem odd reactions to a movie with an earnest pacifist message. 'Blue Story': Film Review. The first feature from rapper-director Andrew Onwubolu, a.k.a. Rapman, is like a flawed but fascinating British Invasion riff But even before the apple cart of movie distribution got tipped over, "Blue Story" had traced an unlikely path.

Blue Story

Read Common Sense Media's Blue Story review, age rating, and parents guide. Central to plot is desperation of never-ending cycle of gang violence. The release got scuttled, yet there remains an allure to the thinking behind it: the idea that "Blue. To fully appreciate Blue Story, it's important to note how it came to fruition. There's lots of shared DNA with the Kidulthood trilogy, Top Boy (in which Ward also stars) and more, and while the depressing inevitability of the gang war cycle is one of the movie's key themes, it doesn't make the overfamiliarity. Blue Story, at its essence, is a narrative you've seen before.

Trailer Blue Story

Blue Story

Blue Story

But Onwubolu vests it with firecracker energy—the pace never drags, even when you think But Timmy's youthful openness is short-lived, and Odubola almost looks like a different actor in the movie's later scenes, his face as closed off as a. Written and directed by Andrew Onwubolu (as Rapman). Starring Stephen Odubola, Micheal Ward, Karla-Simone Spence, Eric Kofi-Abrefa.

Flickering Myth Rating - Film:/ Movie:. George Nash is a freelance film journalist. Blue Story: 'constricting codes of masculinity'. I've often wondered what would happen if low-budget "hood" movies were made at scale; the clarity, energy and rhythm of Onwubolu's storytelling make the case for it.